28th edition | 22 – 31 January 2027

Within CTM 2027, process…ing means resisting closure and elevating the collective acts of making and sharing above the polished artifact. In a world that demands finished results, we choose to remain unfinished, in relation, and present.

CTM 2027 Festival Theme

Process…ing

We live in a present shaped by predefined scripts, hungry algorithms, and extractivist protocols that erode our capacity to process, act, and think. But nobody lives in outcomes alone. We live inside the doing, and what we repeatedly do shapes what we become – the process is the message.

Open Call for CTM 2027

In Listening

After more than a decade, the CTM Radio Lab will shift into a new format titled »In Listening.« This call aims to zero in on sound-focused experiences, where active listening – as a form of individual or relational process – should inform the proposals. The call is open to artists worldwide and should engage with the CTM 2027 theme, Process….ing. Apply by 6 September 2026.

Open Call for CTM 2027

Research Networking Day

This exchange platform is aimed at graduate or postgraduate students – as well as independent artists conducting self-guided research – traversing the fields of audio, arts, media, design, and related theoretical disciplines. Apply by 25 October.

Open call – coming soon

Resynthesising the Traditional

Coming late August, our call for the Resynthesising the Traditional artistic lab invites artists worldwide who engage critically and in-depth with sonic traditions and transform them into contemporary contexts.

VMO Violent Magic Orchestra

29 July 2026 | Urban Spree

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20 August 2026 | Haus der Visionäre

Krallice

13 October 2026 | Berghain

Interviews, Essays, Reflections on Sound, Music and Society

By Jorge Juan B. Wieneke V

Post-Budots: Mutation, Diffusion, and Vernacular Futures

The artist and researcher Jorge Juan B. Wieneke V dives into the histories, communities, aesthetics, technologies, and material conditions of budots. Spending time with some of the genre’s originators while also reaching out to artists adopting and carrying the sound further worldwide, a fascinating conversation emerges, where questions of origin, ownership, authenticity, visibility, and access are treated as ongoing asymmetries that require dialogue, engagement, curiosity, responsibility, and community.

Ioana Vreme Moser in conversation with Lottie Sebes

Is My Lipstick A Semiconductor?

The Romanian sound artist Ioana Vreme Moser crafts handmade electronic processes to explore  materialities of sound. Ahead of showing her longtime research project »Arsenic Ballerinas« at the Echoes of Tumult exhibition, Vreme Moser spoke with the artist and researcher Lottie Sebes about the entwined lineages of cosmetics with sonic circuitry, toxicity, radio and wartime histories, and different shapes of femininity.

Marcin Pietruszewski

Ear Elisions: Subtraction, Slippage, Refraction

»Oto Aulos« by Marcin Pietruszewski and aulos performer Lukas de Clerck is a new work that centres on composing for the ancient aulos instrument and computer. Ahead of the work's premiere at CTM 2026, Pietruszewski shares more insights into his work with de Clerck and the fascinating world of the aulos – an instrument already contested in ancient times and for which we have no sonic record – while also raising questions on the limits of human listening and what it might mean when machine systems hear what their designers cannot predict.

A Festival and Platform for Adventurous Music & Art

CTM connects multi-perspective experiences, critical reflection, hedonism, and collaborative learning via a yearly festival and continuous collaborative projects, publications, commissions, concerts, club nights, and more. Here is more on what we do, our partners, our commitments, and our 25-year history.

Two Decades of Sonic Exploration

The History of CTM

Entangled with the last 20 years of change that dancefloors, the internet, and in(ter)dependent music communities have seen, CTM’s two decade tenure has seen it expand, shapeshift, and proliferate continuously.

Recordings, Commissions and Documents

CTM Editions

The first release on CTM Editions explores multiple ways of reworking archived materials via re-interpreting scores, concepts, compositional methodologies, and personal/ historical narratives. Chronotopia Echoes / Αντηχήσεις features works engaging with KSYME – the Contemporary Music Research Center in Athens by Alyssa Moxley, Gaspar Cohen, Giulia Vismara, Max Eilbacher, Savvas Metaxas, and Sofia Eleni Xezonaki.

Recordings from Past Events

CTM on Soundcloud

A large number of recordings form past CTM Festival Discourse programme talks, plus select recordings of live concerts and special events are available online.

Recordings from Past Events

CTM on Youtube

Watch concerts, performances, and lectures from past CTM Festival editions, or enjoy footage from special projects and events.