The festival will feature a new extended listening format at Berlin’s new Betonhalle venue, a massive concrete space located underneath Silent Green, with a live rendition of Chernobyl by Hildur Gudnadottir with Sam Slater and Chris Watson, Deathprod supporting his first album in 15 years, and a long-duration 4 part meditation on death by Jacob Kirkegaard. Kamaal Williams and Bbymutha lead the festival’s concert and club programme, which also welcomes a new live by Dis Fig, the inimitable Aya fka LOFT, Discwoman affiliate Akua, winding techno rhythms of VTSS and Zamilska, julienned drum breaks of Aquarian & more. Open calls for the MusicMakers Hacklab and Vorspiel 2020 are currently out, and a limited number of early-bird passes are now on sale.
For the upcoming Vorspiel 2020 edition, transmediale and CTM Festival will again collaborate with Berlin's network of project spaces, galleries, independent cultural actors, and cultural institutions in order to commonly create and present a distributed program of events created by the various initiatives, which are working in the field of digital art and culture as well as experimental sound and music. We are pleased to invite you to apply to take part in Vorspiel 2020. The call is open until November 4 2019.
Nusasonic will arrive in Manila for the 2019 edition of WSK Festival of the Recently Possible. Taking its name from “wasak,” which means “shattered” or “destroyed” in Filipino, the festival welcomes a diverse range of cross-disciplinary artistic activities. WSK will host Nusasonic residencies via a Hacklab and The Gangan Series Workshop Lab for improvisers and composers. Concerts welcome the likes of Gabber Modus Operandi, Betty Apple, Madam Bwakeva and the Bwakeboyz, Meuko! Meuko!, marum, and more. The Floaters Stage wanders through the public spaces of Poblacion, Makati, culminating in the presentation of work by Yennu Ariendra and Erik Tuban. Laure Boer, supported by Berlin’s MusicBoard, will take residency over two months.
A slew of boundary-defying artists arrive at Trauma Bar und Kino on 7 November 2019 for a night of uncompromising, outrageous sounds. Live sets by FAKA and KABLAM, and electric DJing by DJ Haram and Pininga give a peak into what lies ahead at Sub Liminal #2: a CTM 2020 Future Prequel.
There is one week left to respond to the RND 2020 open call, which seeks innovative and critical submissions from all areas of study addressing the scope of CTM 2020’s Liminal theme. We invite students and junior scholars to present their research at an international platform that provides a good opportunity to meet various colleagues and researchers working on related ideas. Application deadline: 30 September 2019.
“~NOWWWWWWWWWWWWWWWWWWWWWWWW~” by Thomas Wagensommerer has been selected from the open call for KONTINUUUM, part of the CTM 2020 Radio Lab. The organizers would like to thank everyone who took the time to submit their proposals.
Two winning projects have been selected from an open call for the CTM 2020 Radio Lab. The organizers would like to thank everyone who took the time to submit their proposals, which totalled 135 entries from 38 countries, and collectively addressed the call’s themes and challenges from a wide and interesting array of perspectives.
Liminality is the possibility of transformation, ritual unbecoming. This year’s hacklab focuses on how performance practice and invention can change the performer—making them someone or something else, making them newly visible, or making them entirely invisible. We challenge our participants to engage in collaborations that remake one another’s onstage roles. Apply by 31 October.