Unconventional twists and turns through the main RSO floor.

Opening the night, CTM's own Opium Hum brings the bass, flavored across the global dance spectrum.

Yetsuby moves through house, techno, and more abstract terrain with a sense of structure that feels hand-drawn rather than engineered. Her tracks shift colors mid-stride, tight grooves dissolving into wide, hazy atmospheres. Onstage and on air, she moves just as freely, slipping between Seoul’s DIY nodes and international circuits without losing her light touch. Cortisa Star grabs from rap, drill, hyperpop and whatever else sparks, then scorches it all with blown-out 808s and vocals sharpened like static.

Kris Esfandiari has long wandered between creative skins, and as NGHTCRWLR she channels that restlessness into serrated force. Her voice cuts through metallic storms, bending club sonics into something harsher and more intimate. Drum-and-bass jitters into her shadowed atmospheres, letting punked-out energy crash against breakbeats and deep, dragging bass. Premiering her new album and live show, Catnapp arrives like an electrical surge, dragging heavy low-end, vulnerable storytelling, trance glimmer, R&B snap, and a streak of numetal ferocity all tangled together.

  • OZ, by NGHTCRWLR

  • OZ, by NGHTCRWLR

TOCCORORO builds sets from the languages of her Cuban-Spanish roots, flipping guaracha into hardstyle blasts, melting raptor house into ballroom swing, detonating Jersey Club against tribal percussion. It forms a dizzy and bodily ecosystem where movement is compulsory and performance is a spell with a grin. RONI, founder of Nehza Records, navigates the crossroads of techno, bass, Latin percussion, and club experiments with an ear for friction and surprise. Her sets and her label share the same impulse: connect far-flung ideas, spark new ones, and keep the floor in constant motion.

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  • Biiig Stretch (Laid-Back Sessions), by CATNAPP

  • Biiig Stretch (Laid-Back Sessions), by CATNAPP

Yetsuby's performance is part of WeSA x CTM, supported by the Korean Ministry of Culture, Sports and Tourism, and KOFICE as part of Kore·A·Round Culture 2025.