We are in between. Amidst ambivalence and perpetual shift, we drift without assurance nor certainty. Entitled “Liminal," CTM 2020 throws itself into limbo in hopes of stimulating a critical discussion of our present and possible futures. Music has long been a site of negotiating boundary-disturbing experiences and acts of transgression. The liminal characterises many cultural, spiritual, and social practices and rituals associated with music. It is the fundamental challenging of norms and identities. At the same time it is a contact zone with the "other," the unconscious, and altered forms of being. So can it be used as a space for experimentation?