Gerriet Krishna Sharma

For more than two decades Gerriet Krishna Sharma has been devoted to the subtle architectures of spatial hearing, encompassing advanced techniques such as Ambisonics and Wave-Field Synthesis, together with sustained investigations into the transmutation of sonic texture into three-dimensional sound sculpture. The Berlin-based artist has contributed substantially to the evolving discourse of spatial sound through curatorial work, academic publications, research projects and teaching. More recent work extends these inquiries into AI-assisted composition and responsive performance systems, bringing computational processes into dialogue with the mutable and evanescent character of musical space.