Friederike Bernhardt
Artistic Lab
A faint mechanical hum, the scrape of an object, the resonance of a room can become as important as a melody to Friederike Bernhardt, who approaches the piano with an ear for everything that surrounds it. Her playing has an unusual physicality, capable of sudden eruptions and almost weightless passages, while her electronic work opens the instrument into stranger territories of texture and noise. Theatre and film have become a major part of this musical language, with Bernhardt composing for stages as well as for film and radio.