Salomé Voegelin is an artist and writer whose work centres on listening and sound making as a socio-political practice. She draws on the relational nature of sound to explore states of openness, ambiguity, and transition, using these conditions to generate new forms of knowledge that resist fixed disciplinary boundaries. Her practice moves between artistic production, critical writing, and performance, in each instance treating sound as a way of thinking as much as a way of making. Her most recent books are Uncurating Sound: Knowledge with Voice and Hands Bloomsbury (2023) and Unperforming the Dream House ActiveRat (2023). She is a Professor of Sound at the London College of Communication, University of the Arts London.