Working through computers as compositional partners, Marcin Pietruszewski sculpts precise yet volatile architectures of tone, probing how synthetic form translates into physical vibration. His practice crosses through live performance, installation, and radio, threading formal electroacoustic tradition through the tangly fields of psychoacoustics, computational linguistics, and auditory design.

Earning his PhD in Music and Computing from the Edinburgh College Of Art in 2023, he presented a sound installation at La Biennale Di Venezia the same year. Collaborations with Marcus Schmickler, Tristan Clutterbuck, Lauren Sarah Hayes, and Florian Hecker reveal a restless curiosity for how perception fractures and reforms under pressure, while projects with philosopher Chris Schambaugh, designer collective NORM, and the Laboria Cuboniks group extend his inquiry into the philosophical and visual dimensions of aural thought.