Grounded in media archaeology, the practice of Berlin-based sound artist and researcher Lottie Sebes spans sound installation and performance, often working with self-built instruments and outmoded machinery to explore the material, cultural, and political residues embedded in technological systems. Sebes’ work has been presented internationally, including at Elsewhere Living Museum (USA), Perth Institute of Contemporary Arts (AU), iMAL (BE), and iii (NL). Her writing has been published in Sonic Scope, Echo, and in her solo multimedia publication and record Veritas Ventriloquist. She holds a BVA with First Class Honours from the University of Sydney and a BA in Sound Studies and Sonic Arts from UdK Berlin, where she is also the programme coordinator. She is an incoming PhD candidate in Creative Arts at UNSW, where her research traces genealogies from phonographic archives to contemporary AI voice technologies.