Best known as a founding member of Mouse on Mars, Jan St. Werner is also highly active in solo work, collaborations, and commissioned projects, often probing the material, social, and political dimensions of sound. Werner is also deeply engaged in research and discourse around sound cultures, notation, and listening practices. His work frequently intersects with academic and institutional contexts, contributing to cross-media works that question how sound is produced, transmitted, and understood. His approach remains rigorous yet exploratory, rooted in curiosity and a persistent rethinking of musical form.