Gerriet Krishna Sharma is a Berlin-based composer, media artist, and artistic researcher whose work treats sound as a spatial material, inhabited rather than simply heard. Over the past two decades his practice has focused on advanced spatialisation techniques such as Ambisonics and Wave-Field Synthesis alongside long-term investigations into how sonic textures can be transformed into three-dimensional sound sculptures. Grounded in studies in media art, composition, and computer music, his work moves fluidly between composition, installation, research, and pedagogy, a precise balance between conceptual rigor and sensory experience.

Sharma’s compositions and sculptural sound works have been presented internationally across festivals, concert halls, and research contexts, often involving custom loudspeaker architectures such as icosahedral arrays and hemispherical systems. Alongside his artistic output, he has played a significant role in shaping discourse around spatial sound through curatorial work, academic publications, research projects, and teaching. His ongoing practice engages questions of perception, mediation, and spatial aesthetics, including recent explorations of AI-assisted composition and responsive performance systems.