Through speculation, liminality, and playfulness, she examines how technologies shape our understanding of the body—its capacities, vulnerabilities, and limits. While deeply engaged with computational processes, she takes pleasure in uncovering analogue parallels to current digital phenomena.

Her work spans performances, screen-based projects, writings, and choreographic scores, showcased at venues such as Onassis Stegi, Somerset House, the V&A, and Stanley Picker Gallery. In addition to her artistic practice, Irini lectures in Computational Arts at Goldsmiths, University of London, on subjects such as Machine Learning for Artistic Practice and Choreography as Hacking.