For Genoud, sound isn’t just something we hear—it’s a way to rethink and reshape the world. His performances vibrate with this philosophy, blending voice, materiality, and sensuality in ways that challenge our sense of the familiar, turning everything upside down and inside out. Born in Argentina in 1984, he grew up straddling the analogue and digital worlds, shaped by music videos, video games, and the rising tides of online culture. Now moving between pop and art, the physical and the virtual, Genoud stages his work as a dance between humans and machines. His cyborg voices sing of a non-binary future where the boundaries between species, technologies, and identities dissolve in a symphony of interconnectedness.

Premiering at CTM Festival, »Liederbuch der Apokalypse« blends choral performance, live electronics, and video art into apocalyptic themes from a post-human perspective. Envisioning a cosmic revelation where an otherworldly entity delivers a vision of the world’s end, the performers embody a range of voices through extended vocal techniques and experimental vocal processing—from human to animal to machine. Gathering experimental vocalists Audrey Chen, Anna Clementi, Alessandra Eramo, Nina Guo, Christian Kesten, Elisabetta Lanfredini, Ligia Liberatori, and Ute Wassermann, and with video and stage design by Dafne Narvaez Berlfein, the work is structured as a songbook (»Liederbuch«) that invites reflection on the doomed cosmos of hyper-technical knowledge even as it calls for new ways of coexisting as we witness the end of the »white dazzle night« of Enlightenment. 

• Concierto Inaugural Festival Tsonami 2021 - Florencia Curci + Agusín Genoud by agustin genoud

• Concierto Inaugural Festival Tsonami 2021 - Florencia Curci + Agusín Genoud by agustin genoud