What is the sound of a resurrected machine and the dead infrastructure that brought it forth to begin with? This is the focus of interdisciplinary sound artist Darsha Hewitt, whose sonic practice demystifies the obsolete and transforms their inner workings into unanticipated aurals. A Guest Faculty member in Sound Studies and Sonic Arts at the UdK Berlin University of the Arts and a Fellow at Institute of Digital Sciences Austria, her approach is archeological, mining the history of the ever-shifting ecology of our mechanical achievements and perceived failures. The result provides a deeper and more clear analysis of humanity’s ever-evolving enmeshment with the technological.

Recent exhibitions included the »High Fidelity Wasteland Trilogy« shown in Frankfurt, »Tech Rider’s Dilemma« in Bucharest, and a workshop utilising the tiny particle accelerators inside of old, broken TVs.