Currently Moss is working on the second and third part of the documentary series, Nyege Nyege Tapes Tapes.

He is interested in the origin of dreams and ambitions, and their particularities, the role of the sublime in conditioning social needs, sustainable development, human immoderation, and the cycles of self-regulation of nature. Further themes are the commodification of the experience of fear in nineteenth-century horror literature, i.e. the relationship between fog and smog.

He studied fine arts at the academies in Krakow, Oslo, and Malmö, and ran classes at The Krzysztof Kieślowski Film School in Katowice, the Academy of Fine Arts in Warsaw, and the Film Study Center at Harvard University.
 
His solo exhibitions include: Project Room, Center for Contemporary Art Ujazdowski Castle, Warsaw (2019), Handbook for city dwellers, Krakow (2017), Noplace, Oslo (2017), Hotel Pro Forma, Copenhagen (2016) and group exhibitions: Ghetto Biennale, Port-au-Prince (2018), Museum of Modern Art, Warsaw (2016), Futura, Prague (2015), National Gallery, Ulan Bator.