In her practice, Moser uses rough electronic processes to obtain different materialities of sound. She places electronic components and control voltages in different situations of interaction with her body, organic materials, lost and found items, and environmental stimuli. From these collisions, synthesised sounds emerge to carry personal narrations and observations on electronics' history, production chains, wastelands, and entanglements in the natural world.

Amongst others, she has performed and exhibited at the National Gallery of Denmark (DK), Fonderie Darling (CA), Akademie der Künste Berlin (DE); Manifesta 14 (XK); SFX - Sound Effects Seoul (KR), Ars Electronica (AT), Bunkier Sztuki Gallery Krakow (PL), Simultan Festival (RO), and Eigen+Art Lab Berlin (DE).