His works, installations, and sound interventions in public spaces are based on white noise, sine waves, feedback, binaural, and multi-channel sound using tools such as computer synthesis, acoustic generators, saxophones, compressed air, medical tools, and DIY objects. With these Lebik explores heterogeneous sources and research methods of audibility focusing on issues such as the perception and propagation of sound waves, time disorder, and psychoacoustic or sound relationships with architecture and urban contexts.
Lebik is also the founder and artistic director of Sanatorium of Sound Festival in Sokołowsko, a festival focused on experimental music and the broadly understood fields of sound and sonic art. He has appeared at TPAM (Yokohama, JP), TodaysArt Festival (Hague, NL), Biennale (Zagreb, HU), Tokyo Jazz (Tokyo, JP), Festival Umbrella (Chicago, US), Experimental Intermedia (New York, US), V: NM-Festival (Graz, AT), Bienalle Wro (Wrocław, PL), Konfrontationen (Nickelsdorf, AT), hcmf (Huddersfield, UK), Audioblast (Nantes, FR), Kunsthalle (Basel, CH), KM28 (Berlin, DE), Fylkingen (Stockholm, SE), and has collaborated and performed with artists including Keith Rowe, Phil Minton, Ryoko Akama, Peter Rehberg, Kazuhisa Uchihashi, Jérôme Noetinger, Zbigniew Karkowski, and many more.
In 2023 Lebik is among the artists supported through the SHAPE+-initiative.
AER Compressed Air Sound Performance - Hutman Hall by Gerard Lebik
AER Compressed Air Sound Performance - Hutman Hall by Gerard Lebik
Aleksandra Słyż is supported by SHAPE+ which is funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
