Incantations
Andrius Arutiunian
00:00
silent greenFree (via Betonhalle)
1The one-hour-long piece was recorded in collaboration with Melos New Vocal Music Collective, and runs continuously throughout the day. All of the sound material was generated through the process of voice transmutation into a variety of sonic textures and instruments. »Incantations« is played through a multi-channel speaker system and a six-metre-long brass object suspended from the ceiling. Long known for its acoustic properties, brass simultaneously amplifies and distorts the voices and spells. Using diaphony and resonance, »Incantations« unfolds slowly into the night, offering a hypnotic and spell-bound experience.
The work is commissioned as part of the CTM Radio Lab, which since 2014 has supported new works that explore the intersection of radio with live performance or installation within the context of the festival’s yearly theme. It will be broadcast in its radio version by Deutschlandfunk Kultur on 25 March, and presented by ORF Austrian Broadcasting Service in autumn 2022. The brass object is commissioned by Centrala Space, Birmingham.
Event Access and Hygiene Rules
Access to »Incantations« is via the silent green Betonhalle entrance. You may leave the installation at any point in time, however re-entry is not possible.
Please check the Festival Access & Hygiene rules for detailed and current information on Covid-19 regulations. This page is updated regularly.
Details on venue accessibility can be found here.
Kuppelhalle has a throughput ventilation system; as fresh air is blown in from outside, used air is discharged to the outside using two Helios fans (type HRFW EC 315A), which exchange approx. 4000 m³/h of air, meaning a total change of air 1.1 times per hour.
Photography and Mobile Phones
Please note that access with professional recording/camera equipment is not allowed.
Commissioned as part of the CTM Radio Lab, led by CTM Festival and Deutschlandfunk Kultur – Radio Art / Klangkunst in collaboration with Goethe-Institut, ORF musikprotokoll im steirischen herbst, Ö1 Kunstradio, and The Wire magazine. The brass object is commissioned by Centrala Space, Birmingham.