Gaspar Cohen

Through constructed electronics and process-intensive computation, their work takes shape as unstable, concept-driven systems. Under the moniker 130-IVXX, Cohen seeks to interrogate the capital-colonial complex embedded onto digital technologies, feeding situations as disruptive interfaces for composition and performance and highlighting the potency of noise and error in counter-hegemonic politics.

They were a fellow at the Chronotopia Echoes Artistic Lab (CTM Festival/Athens and Epidaurus Festival/KSYME), and exhibited at the Maia Contemporary Art Biennale, performed for the Orpheus Institute of Artistic Research in Music (Ghent–BE). They have contributed to Nicholas Collins’ 3rd edition of Handmade Electronic Music and have written for several academic platforms, including xCoAx – Conference on Computation, Communication, Aesthetics & X.