The late Mark Fisher’s work, like all philosopher’s work, oscillated through different stages throughout his life. Starting in cultural-studies, to philosophy under the CCRU, to cold rationalism to anti-capitalist critique, Fisher's work was a project of constantly trying to come to terms with a world that begged belief, as is the case with the evolution of any intellectual worth their salt. There was throughout all of this a constant undercurrent indebted to psychoanalysis.
For Fisher the idea of world-building came with responsibility, something his work takes into great consideration with very sincere care. As he described in his later writings, the socio-political disease of our time is that of pervasive stasis in a rapidly accelerated culture. If we take the liminal as that which can occupy either side of a boundary, that which acknowledges complexity, then we see an opportunity perhaps to the deadlock of binaries presented by the worst trapping of the contemporary right and left.
This panel takes as its kernel the concept of Egress, a word used by Fisher to describe the exiting of the current cultural malaise through analysing the politics of teleology and collectivism. Liminality itself must be critiqued with the urgent need for determinacy in mind. Perhaps a solution to the pitfalls of liminality is that of determinacy, that cultural production must operate within a strong pedagogical model if it is to make its way out of its liminality. Fisher postulated that what was required for real transgression was a reprisal of the spirit of a world that could be free, to go beyond the beyond the pleasure principle.
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Steven Warwick is an artist, musician, and writer living and working in Berlin. His practice is paradigmatic of an interdisciplinary approach that encompasses theatre-making and DJing along with art, music, and writing. His work is disseminated on a multitude of platforms including records, galleries, nightclubs, publications, and the internet.
Lisa Blanning is an American writer and editor on music, art and culture. She is a former editor at The Wire Magazine in London and Electronic Beats in Berlin—the city she currently operates out of. She is especially engaged in movements in contemporary electronic music and digital art and culture.
Terence Sharpe is an artist and researcher based in Berlin. He has been published through Triple Ampersand Publishing &&& and has presented his work at Trust, Spike Quarterly, and Phi Centre Montreal. He is affiliated with the New York based research collective ANON and a member of The New Centre for Research and Practice.
Matt Colquhoun is an independent researcher, writer, and photographer from Hull, East Yorkshire. He currently lives in London and blogs as xenogothic on issues related to accelerationism and cultural production.