One Leg One Eye + Bridget Ferrill

07th Sep 2026 07th Sep 2026 20:00 23:00

One Leg One Eye

00:00

Bridget Ferrill

00:00

Kantine am BerghainTickets 25 €

Irish folk stripped down to its blackened marrow.

Ian Lynch and George Brennan drag traditional Irish music into the most severe of voidic territories. Over the course of their albums ...And Take The Black Worm With Me and its sophomore follow-up CRONE, released through AD93, layers of distorted pipe drones and jagged black metal textures are pressed with heavily processed field recordings, stripping folk elements down to fundamental heavy frequencies.

A professional folklorist as well as a member of Dublin folk group Lankum, Lynch's academic background draws thematic materials straight from the bloody texts of the Ulster Cycle, utilizing obscure incantations and literary fragments to channel and invoke entities like the Mórrígan, the triple-goddess tied to sovereignity, war and death. When performed live the duo deliberately deconstructs remaining remnants of traditional song structures entirely, focusing on sustained pitch manipulation and massive walls of resonance that alter the physical perception of the room and leave the mind feeling entirely untethered.

  • CRONE, by One Leg One Eye

  • CRONE, by One Leg One Eye

Working out of Berlin, Bridget Ferrill operates upon acoustic instruments, subjecting them to severe digital violence and spatial distortion until naught is left but the skeleton. Last year's Subtext Recordings work Domschatzkammer debases harp, church organ, and microtonal tuba with what she terms »false additive synthesis«, intentionally driving acoustic timbres to the point of collapse and detuning. Constructing custom electronic circuits like the chaos-driven Anglerfish drone synthesizer and engineering live setups for artists like Bendik Giske, her instrument builder and audio engineering background allows her to weaponize her feedback, extracting hidden agonizing frequencies from voltage and physical space to dissolve the presence of the venue. Looming in its place, immense entities of noise consume the listener.

In 2026 she released itself between, of saying farewell, a two-part opera conceived with Áslaug Magnúsdóttir and Olivia Rivière, that moves through an equally strange and intimate parable of attachment, pain and release.

  • Domschatzkammer, by Bridget Ferrill

  • Domschatzkammer, by Bridget Ferrill

Kantine am Berghain
Am Wriezener Bahnhof
10243 Berlin

Accessibility

Warning: This show will take place with loud volumes and stroboscopic lighting effects. Ear protection is available at the venue. Entry is 18+.

Persons taking public transit may check the current status of elevators at the subway stops nearest each venue, via the BVG (both in German and English).

Kantine am Berghain is wheelchair accessible. Venue staff can always be asked for help with regards to mobility, and we encourage visitors to get in touch with us in advance so that we can help plan your visit. Several parking lots can be accessed not far from the venue entrance. Please get in touch with us in advance if you require assistance reaching the venue entrance.

We offer free access for an accompanying person for holders of a »Schwerbehinderten Ausweis mit Kategorie B« card.

If you have further questions about event and venue accessibility, or to help plan your visit, please write to us at accessibility(at)ctm-festival.de.