Listening in Oceania

01st Feb 2024 01st Feb 2024 15:00 16:00

Pre-recorded talk by Fleur Ramsay & discussion with AM Kanngieser, Mere Nailatikau, and KMRU

15:00

radialsystem20 / 15 € door only

Free entry

1

  • Anna Von Hausswolff

    SE

    Pushing the boundaries of sound through the use of pipe organs, the Swedish composer evokes a fluidic plain that swells with the harmonies of alien celestials.

  • Kim Ann Foxmann

    US

    Queer icon, fashion muse, rave queen – call her what you want, this legend just wants to make you dance dance dance!

  • Monolake

    DE

    Although perhaps best known for his peerless, timeless Monolake releases on Chain Reaction, Robert Henke is also widely renowned for the music, surround-sound performances, audiovisual installations, sound art, and photography he has been creating under his own name since the early nineties, and additionally as a co-creator of Ableton Live, a program that has redefined the electronic music industry.

  • Föllakzoid

    INT

    Like a viral numinosity, the psyched-out krautrocker’s music spirals into techgnosis through the ear and mind, building a sacred infestation of biotechnic dancefeveritis.

    • Image: Laisiasa Dave Lavaki

    An expert in indigenous rights and international environmental law, Fleur Ramsay will give a pre-recorded input on the current situation of peoples and places of the Pacific, giving context to the installation »Oceanic Refractions.« after which the artists AM Kanngieser, Mere Nailatikau, and KMRU will speak about their installation further with the scholar Anita Jóri, touching among other on how the work was conceptualised and created, on the Pacific context in which it is grounded, as well as on the techniques and ethics of working with testimony and field recordings.

    Event Access

    Please consult our Accessibility section for information on volume / lighting, mobility, age restrictions and other access information.

    »Oceanic Refractions« is co-produced by CTM Festival and transmediale with funding by the Hauptstadtkulturfonds (German Capital Culture Fonds), Creative Australia and with support from the European Commission.