The 14th edition of CTM took place from January 28 – February 3, 2013 in different venues in Berlin including the HAU – Hebbel am Ufer, Berghain, Stattbad, and Kunstraum Kreuzberg/Bethanien, as well as the historic Funkhaus Nalepastrasse, home of the DDR National Broadcasting Corporation until 1990.
Entitled The Golden Age, CTM 2013 reflected on the (over-)abundance of music in the modern world and its consequences for individuals, aesthetics, politics and the economy. Never before has such a plethora of fascinating and exciting new music existed, never before has communication between artists and their publics been so direct, and never before have listeners so eagerly opened their ears.
CTM’s 2013 theme took the festival’s mandate of exploring unconventional new music as a starting point to venture further than ever before into the nebulous zone beyond individual genres, styles, formats, scenes, or traditions. Within this murky frontier of interconnected yet radically diverse musical niches, the future of pop music coexists with the avant-gardes of past and present, historically-informed refinement stands next to eclectic mashups, and abstract sound research merges with the club sounds of the moment. The most exciting music emerges where unexpected encounters occur. And it might well be that the conditions for such unbridled creativity have likely never been as favourable as we find them today. The seven-day CTM 2013 festival could only begin to convey an idea of this colourful cornucopia. And yet, even in this measure, the risk of overtaxing festival visitors and organizers was very real.
Over 200 artists and professionals from 25 different countries contributed to 120 performances and projects that made up the CTM 2013 program, which also included the 6-day Transfer programme that encompassed the discourse programme of artist talks and film screenings, a collaborative MusicMaker’s Hacklab for music technology, contributions from Universities via performances, installations, and an Education Networking Day, and an exhibition.
As always, the CTM festival was be held in parallel to and in collaboration with transmediale – festival for art and digital culture which took place at the Haus der Kulturen der Welt. The weekend before the festivals, CTM and transmediale’s P2P Vorspiel programme presented events and activities with partner organizations all around Berlin.
»hervorragendes Avantgarde-Festival«
→ Musikexpress, Albert Koch
»…an endlessly questing spirit, gave the festival its aim – to challenge as well as entertain.«
→ FACT, Maya Kalev
»Das CTM ist das beste und wichtigste Festival für elektronische Musik im deutschsprachigen Raum. Punkt.«
→ De:Bug, Michael Doeringer
»Le plus aventureux des festivals berlinois.
«
→ Berlin Poche
»Mag ein Jahr noch so müde und leer beginnen, spätestens Ende Januar erlebt es seinen ersten echten Höhepunkt in Form des CTM Festivals in Berlin.«
→ Spex, Thomas Vorreyer
»Berlin’s CTM.13 has a fine heritage of uniting the electronic avant-garde with emissaries from contemporary dance culture.«
→ FACT
»Fuer jeden, der sich fuer neue, avancierte... Popmusik interessiert, ist es zur wichtigsten Veranstaltung im Land geworden.«
→ Berliner Zeitung, Jens Balzer
»CTM brings contemporary electronic and experimental music to the city and has grown to become one of the most anticipated annual events in Europe.«
→ Electronic Beats
»Der theoretische Schatten wird stets mitgedacht und gefühlt. Man lässt Konzeptperformance, experimentelle Klangforscher oder selbst die clubdressierte Partymaus selig zueinander finden.«
→ Rolling Stone, Henrik Boerger
»…an urban creep away from the city’s monotheistic techno stronghold toward the diverse ... interaction of sounds for the new underground. These are the growing pains of a transitioning cultural landscape surrounding CTM’s ‘The Golden Age’: a shift in favour of a genderless, genre-less and culturally inclusive forum for discourse and experimentation.«
→ Dummy Magazine, Steph Kretowicz
»...CTM lands in Berlin, turning the city into a hub of forward-thinking electronic music performance and discussion... it hosts an extraordinary line-up, covering the myriad offshoots and evolutions in contemporary electronic music and club culture in 2013… and beyond.«
→ Electronic Beats
| A Cell of One | Kuedo |
| A Guy Called Gerald | Lando Kal |
| Adam Harper | Laurel Halo |
| Agnieszka Dzjubak | Lea Fabrikant |
| Alberto de Campo, Hannes Hoelzl, Julian Rohrhuber | Lee Gamble |
| Alex Empire | Lisa Blanning |
| Alex Williams | Lorenzo Senni |
| Alexander Dorn | Lower Order Ethics |
| Alexandra Droener | Lucas Abela |
| Ali Demirel | Luke Robert Mason |
| Andreas L. Hofbauer | Manfred Schneider |
| Andy Stott | Marc Behrens |
| Anika | Marcell Mars |
| Atom™ | Marcel Weber & Lucy Benson (MFO) |
| Atsuhiro Ito | Mark Archer |
| Bader Motor | Machinedrum |
| Ben Coonley | Mark Fell |
| Benjamin Weiss | Mark Fisher |
| Bill Kouligas | Mark Leckey |
| Biosphere | Martin Treml |
| BlackBlackGold | Material Object |
| Boris Hegenbart | Matmos |
| Call Super | Matthias Fritsch |
| Carl Schilde | Max Dax |
| Carsten Nicolai & Students | Mykki Blanco |
| Carsten Seiffarth | Myrninerest |
| Cavern of Anti-Matter | Nam June Paik |
| Chmmr | Necro Deathmort |
| Christian Vialard | Network Awesome |
| Christoph Fringeli | Nicolas Metall |
| Conor Thomas | Nicolas Moulin |
| Constant Dullaart | Oneirogen |
| Cyriak | Opium Hum |
| Dan O'Hara | Orphan Drift |
| Daniel Tyradellis | Pantha du Prince & The Bell Laboratory |
| David Dworsky & Victor Köhler | People Like Us |
| Dean Blunt | Pete Swanson |
| Demdike Stare | Peter Kirn |
| Derek Holzer | Pharoah Chromium |
| Diamond Version | Powell |
| DJ Sotofett | Rabih Beaini |
| DJ Sprinkles | Ravi Shardja |
| Doppeldenk | Reznik |
| EAN | Robert Henke & Students |
| Easton West | Sam Barker |
| Ellen Blumenstein | Sammy Dee |
| Emptyset | Samuel Kerridge |
| Ensemble L’Art pour L’Art | Science Fiction Children |
| Ernstalbrecht Stiebler | Sensate Focus |
| EVOL | Set Mosaic |
| Felix Denk | Shackleton |
| Felix Kubin | Shed |
| Florian Hecker | Simian Mobile Disco |
| Forest Swords | Skream feat. Sgt Pokes |
| Frank Bretschneider | Solar Year |
| Frederik Rzewski | Soundstudio |
| Gatekeeper | Soundwalk Collective |
| Gerhard Steinke | Sun Worship |
| Ghédalia Tazartès | Sunn O))) |
| Greco-Roman Soundystem | Tabor Robak |
| Günter Schickert | Tarik Barri |
| Half Girl / Half Sick | Terre Thaemlitz |
| Heatsick | The Pitch |
| Heavylistening | Theo Burt / The Automatics Group |
| Heimo Lattner | The Ways Things May Go |
| Holly Herndon | Tim Exile |
| Iceage | Tim Tetzner |
| Imogen Heap & collaborators | Tm404 |
| Ina Pillat | Tom Ass |
| In That Weird Part | Tom Lamberty |
| Jar Moff | Tony Marcus |
| Jem the Misfit | Ulf Eriksson |
| Jennifer Lucy Allan | Ulrich Gutmair |
| Joanie Lemercier | UZ |
| Johnnie Stieler | Vanessa Ramos-Velasquez |
| Jörg Franzmann | Vasilis Sarikis |
| Justice Yeldham | Werner Dafeldecker |
| Katrin Rönicke | Wife |
| Keith Fullerton Whitman | Will Lynch |
| Kenneth Goldsmith | Wolfgang Ernst |
| Khyam Allami | Xiu Xiu + Eugene S. Robinson: Sal Mineo |
| Kode9 | Zip |





























