The new sound of the city – Berlin Current presents young, unconventional, and experimental pop music from Berlin.
Throughout autumn and winter 2013/2014, a first batch of ten emerging Berlin-based musicians will be featured through live concerts at Berghain and CTM Festival, online streams via Boiler Room Berlin, and radio and magazine features by De:Bug and BLN.FM. Additionally, two artists will be awarded creative commissions to be presented live on stage during CTM.14 – all details see our Call for Works that is just out now and runs till September 30, 2013.
Sponsored by the Musicboard Berlin.
Collaborative Festival of Festivals
The ICAS Suite
CTM festival co-founded the ICAS – International Cities of Advanced Sound network, a group of 38 organizations and festivals on 4 continents that joined forces to promoting artistic development and knowledge production at the interface of music, art, technology, and society. Shortly thereafter, the ICAS SUITE was developed by CTM as an open and collaborative festival format for the whole network. The concept implies the invitation of the network’s members and of other music initiatives to participate in the curatorial process and shape a unique, collaborative music event.
Initiated in 2012, the Polymorphism concert series at Berghain takes shape as a crossbreed of club night, concert, and experimental laboratory, and intends to capture the current exponential explosion of electronic sound mutation. The series has featured artists such as Oneohtrix Point Never, LA Vampires, Heatsick, The Haxan Cloak, Hype Williams, James Ferraro, Nguzunguzu, Evian Christ and others.
Denkfabrik was developed for the 2nd edition of the Berlin Music Week as a day-long lecture series on music, culture, and the economy, aiming to address the antagonism between creative activity and the commercial sphere, particularly in light of the ferocity of ongoing debates surrounding copyright law, GEMA tariff reforms, and the wealth of creative minds and artists in Berlin. Organized by CTM in collaboration with ICAS, the event made a critical contribution to the Music Week’s conference programme.
ECAS – European Cities of Advanced Sound
ECAS – European Cities of Advanced Sound was founded in 2007. The network rapidly grew into an international format: ICAS – International Cities of Advanced Sound, which was officially inaugurated in 2009. Today ECAS remains a designation used specifically for certain projects centred in the EU.
ICAS – International Cities of Advanced Sound
ICAS – International Cities of Advanced Sound – is a global network of independent non-profit organizations dedicated to advancing sound cultures, music, and related arts.
Wasted was staged as a series of mini-festivals celebrating loud, fast, radical, and mostly electronic new musics. Generally summed up under the loose terms of hardcore, breakcore, mashup, or raggacore, Wasted propagated a spirit of disrespectful dissent, unruly enthusiasm, and mountains of positive energy.
In That Weird Part
The exhibition project In That Weird Part was concerned with the interpretation and editing of pop music in internet user culture. Through the appropriation of music – mostly in the form of music video remakes – a new musical vernacular with far-reaching implications is currently appearing beyond professional networks of composers, musicians and music promoters.
In That Weird Age
The exhibition In That Weird Age, realized for the CTM.13 Festival, highlighted a music culture in transition, showcasing the odd splendour of plenitude that currently arises from now defunct physical storage media and the end of fixed recordings, as well as from the new musical vernacular of internet user cultures, the exponential potency and open-ended processability of digital sound files, the amassment of immaterial artefacts in online archives, and the promiscuous connectivity of a general state of plenty, where everything exchanges with everything.
CTM On Air
Since September 2011 CTM hosts its own radio show at Berlin community radio reboot.fm. More than 20 editions to date support CTM Festival's ongoing aim to find and present adventurous sound and to explore new perspectives in musical discourse. ICAS Radio is a collaborative project with the Zeit-Ton series of the Austrian Broadcasting Service, ORF Ö1. Taking place within the framework of the festival network ICAS – International Cities of Advanced Sound, the ICAS Radio roundtable gives festival organizers and their contemporaries the opportunity to discuss innovation and critical developments in current music and culture.
Edited by CTM and Meike Jansen and published by Edition Suhrkamp, Gendertronics is an in-depth study of questions raised by the theme of the 2004 edition of CTM Festival, "Performing Sound". With contributions from Olaf Arndt, Claudia Basrawi, Jochen Bonz & Thomas Meinecke, Mariola Brillowska, Kurt Dahlke, Diedrich Diederichsen, Harald Fricke, Tom Holert, Miss Kittin, Pinky Rose, Birgit Richard, Terre Thaemlitz, Marc Weiser and 17 black and white drawings by Jan Rohlf.