Breadwoman is the 1980s brainchild of Anna Homler and Steve Moshier, two interdisciplinary artists from Los Angeles. Their curious collaboration adopted the visual figurehead of baguette-toting woman who’s “so very old she’s turned into bread”. This nameless, origin-less, and language-less character stands for Moshier’s and Homler’s valuing of music as primitive, futuristic, ritualistic, theatrical, and mythical, and of the voice as a sonic element more than an arbiter of meaning. Homler sings in a made-up language over Moshier’s drenched, locomotive loops. The collaboration was marked with a cassette release in 1985, which has upon its 30th anniversary recently been reissued as Breadwoman and Other Tales by Brooklyn’s RVNG Intl. For this performance, Homler is joined by an extra theatrical performer and by Steven Warwick, who will rework the project’s original music.
Anna Homler is a Los Angeles-based vocal, visual, and performance artist and the co-creator of the 1980s project, Breadwoman. Her work employs a sensibility both ancient and postmodern. By singing in an improvised melodic language, she explores alternative means of communication and illuminates the poetry in the ordinary.
Steven Warwick is a British artist, musician and writer residing in Berlin. His practice includes durational performance installations, plays and films using the construction of situations and language. He also makes music as Heatsick and under his own name – the latest release, Nadir, appeared recently on PAN.
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